Showing posts with label Make A Scene. Show all posts
Showing posts with label Make A Scene. Show all posts

Monday, May 14, 2012

Sophie Ellis-Bextor - Work It Out (leak snippet 2)

So, a second snippet of the Roger Sanchez and Sophie demo has just leaked. And MY GOD it sounds fantastic! I don't understand why Polydor stopped Roger from releasing this song. It sounds like it has the potential to chart somewhere high in the top 20. Record Labels can be really stupid sometimes...

Anyway, here's the second snippet. Apparently its the middle-8.

And here's the earlier one, in case you missed it.

I love how she's screaming "work it out" just before the middle-8 kicks in. She sounds sexy in this song. I hope it leaks in full. This and Did I sound fantastic - both outtakes from the Make A Scene era.

Sunday, February 12, 2012

Official Catch Up (2 parts) + Revolution

So a remix Revolution is released as a single in Italy. You can listen to the remix RIGHT HERE...



Here's the official Catch-up.
ORIGINAL ARTICLE: www.sophieellisbextor.net



Hello Sophie, how are you?
I’m good thank you.

What are you up to?
I’m actually looking through a load of backing tracks. I’ve been sent some dance-y stuff over the last few weeks. So I’m going though them and seeing if there’s anything I want to work on.

So people just send you tracks out of the blue?
Yeah. It’s how I used to work years ago and then I stopped doing so much of that and started working in the studio with people. But then because I’d had quite a quiet January it’s been quite nice getting things sent over again. So I’ve just been pottering through them to see if there’s anything that grabs me and makes me want to write a chorus for it.

What’s usually the ratio of good stuff when you go through tracks like that?
It’s probably about 50/50, I would say. But some stuff you just get ideas for straight away, while other stuff I might like but realise it’s not quite right for me. So I would say there’s probably about 25% of it that I decide is worth working on. And the ones I’m actually disciplined enough to finish is probably about 5%.

Have you heard anything in this batch that you think could be good?
Yeah. There are two tracks which I’ve got on the go at the moment which I like.

What kind of thing?
Both quite dance-y. One is slightly Robyn-esque, I suppose. And the other one is a bit more anthemic, hands-in-the-air kind of thing.

And you receive them as instrumentals?
Yeah, that’s right.

Do they have any control over what words you choose to put on there?
Well, it will usually go back and forth a bit. That’s why working in a studio with people is much easier, because you thrash that out at the time. But I sometimes find that if I work with people I haven’t got a long working relationship with I can feel quite self-conscious trying to come up with stuff in the moment. So it can be easier to do it at home on your own. That’s actually the way that Groovejet started.

Ah, really?
Yes, that one was an instrumental that they sent to me. I used to work like that a lot. With Groovejet I went into a studio and just recorded what I’d done, which was verses, a chorus and a middle eight. I didn’t realise they’d been sending the same track to lots of people, but then they came back to me and said they liked my verses and my middle eight, but asked if I could use a Rob Davis chorus. And I was a bit confused, because I was quite earnest and this was actually the first song I’d ever written that was released. I was like, well, it doesn’t really make sense now, because the chorus and verse are talking about different things, so I had to rewrite it.

What was your original chorus then?
Well, Rob’s chorus was much more straight to the point and had a really great hook with a really good lyric. I think mine was a little bit more complicated. His was far and away better than mine! Mine was not so much a chorus with a capital C.

Do those old demo versions exist?
Probably somewhere. I haven’t really chucked much out, but I’ve got boxes and boxes of CDs, and I’m not exactly sure where it would be. I’ve still got the old demo cassettes from theaudience! I’m not sure whether I’ll ever come to actually sit down and go through them all. There’s always so many other things to be doing. I thought I’d get so much done in the first three months of the year before this baby comes, but actually I find if I’m not working then I want to be spending time with the kids. So yesterday I went to the Natural History Museum with Kit.

How was that?
It was actually really sweet. I hadn’t ever taken him there before and his big brother was at school, so we went on the tube and went to a cafe before the museum and then went around the dinosaurs. It was really nice to have that one on one time. It was a lovely day.

How was your Christmas?
Really, really lovely. I had it as a bit of a beacon before me because December was a bit full-on. I even had the offer of a gig that came in, which would’ve meant two flights there and two flights back and getting home on December 23rd. My manager phoned me and told me he wouldn’t let me do it because they were worried they might kill me! Which was good, as it meant I had Christmas week to get ready. We had 12 of us here for Christmas and it all went really well.

Apart from not receiving your full supermarket order, which you tweeted about.
Mmm. I thought that was really pathetic. I’d actually booked it for the 22nd so that I had a day to go and buy whatever they didn’t bring, in case there were any things missing. But there was just so much missing! There were no sausages, there were no carrots and there was no butter. Stuff like that. And I’d ordered it ages beforehand! I know there are bigger problems in the world, but it was rubbish.

Did the supermarket in question respond to you on Twitter?
Yeah, they did. They said if I DM’d my order number to them they’d try and sort it out for me. But I didn’t want special treatment. I didn’t think that was very fair. They should know what was in demand.

But your Christmas was all good in the end?
It really was. I think I was the most chilled out I’ve ever been doing it at home, because it was the least amount of people. My mum had bought pre-peeled potatoes from the online supermarket she uses. Oh my God! What a treat!

Did you get any nice presents?
I got really great presents. Now that I’m a grown-up I sort of forget that I’m going to get presents at Christmas too. So I think everything you get as an adult is more touching in a way. Richard did very nice presents - I’ve got flowers every other Friday for the whole year. And I got a massive jar of chip shop gherkins, because I love those. So I’m happy.

And then on New Year’s Eve you went off to Phuket with Richard. How was that?
It was pretty lush actually. We were booked for a full live show, so the band came too, which was great. We had three days in the sunshine eating Thai food and being on the beach. I’d never had a warm New Year’s Eve before, and I definitely get it now. I’ve always been a one family holiday a year in the summertime sort of person. But now I’m seeing the appeal of a winter break.

How was New Year’s Eve itself?
Well, it was a private party - held by Russians - and they did celebrations and fireworks at midnight Thai time and then more at midnight Russian time, which was 3am. There were loads of performers - Kelly Rowland was there, who’s always very lovely - and there were dancers and circus performers and all sorts. And the weather was lovely, which sounds obvious, but actually there were question marks that it might be stormy. It rained pretty much continuously the next evening, in fact.

You said on Twitter recently that you were struggling to find maternity wear.
Yeah, I just think a lot of it assumes that because you’re pregnant you don’t want to look fashionable or attractive - that you just want comfort and stretch and that’s about it. I think it’s a bit of an omission really. I don’t really understand why it’s not done better.

Have you ever been offered a clothes range or anything?
Well, it is something that I’ve been thinking about for maternity. A girlfriend of mine - who’s also having her third baby - is a stylist and we were thinking we should maybe look into it. Even if it’s just a very small range of really nice things which you could wear while you’re pregnant and then also for the first few months after you’ve had the baby. Some of your features you still want to show off. Just because you’re pregnant doesn’t mean everything has to be a smock on top and down to your ankles. I quite like the 60s look where you have it A-line but still more tailored around the top. That’s quite cute. But I’ll do some research and see what comes out of it.

Monday, October 3, 2011

Jakatra, Australia, new album, Rebellion and more...

Okay, I've been very busy with work. I've been working more than 18 hours on some days. So I apologise for the lack of updates. Moving on to the important stuff.

First of all, have you all bought Rebellion (Lies)? If you haven't, buy it now. It is 4:42 minutes of pure brilliance. Its definitely up there with her best covers to date. Sophie sounds absolutely gorgeous on the track, and the "Lies, lies" bit is fabulous. Right now, the track is sitting as track #15 on Make a scene for me. I will move it into my list of Sophie b-sides and side releases after a few months. It's a very good song. So buy it. Don't download free mp3s, buy the song off iTunes. It's for a good cause. Here's a link to the album on UK iTunes.
http://itunes.apple.com/gb/album/songs-to-save-life-in-aid/id454729655
Please buy the song.


Second. Sophie was in Jakarta, Indonesia recently. She hadn't been there since 9 years, but the crowd gathered at the Java Soul Nation festival seemed to know and like her new songs. The best part of the show was when the entire crowd sang along to Murder On The Dancefloor...not just the chorus, but the ENTIRE song. Sophie must have been over the world to hear the crowd's response to that song. She even mentioned this in her recent official catch-up, but more on that later.
Here are some videos in HD from the Java Soul Nation concert.
Dial My Number - http://www.mediafire.com/?c4qzdifsvsup5jk, http://www.megaupload.com/?d=4GA6AJ10
Bittersweet - http://www.mediafire.com/?264mpwy3vg759as, http://www.megaupload.com/?d=BA8YF6YQ
Take Me Home - http://www.mediafire.com/?1grpsrnig0oursk, http://www.megaupload.com/?d=CLRERL2R
Me And My Imagination - http://www.mediafire.com/?zwur5f2073czbf2, http://www.megaupload.com/?d=PGW4LBHX
Today The Sun's On Us - http://www.mediafire.com/?huyyqf4ef918unw, http://www.megaupload.com/?d=MUGA1B42
What Have We Started - http://www.mediafire.com/?9dm69y9h44jwi76, http://www.megaupload.com/?d=ZK19UU6Y
Catch You - http://www.mediafire.com/?huf0e2p0otb7bzd, http://www.megaupload.com/?d=OQKX4QQB
Can't Fight This Feeling - http://www.mediafire.com/?4cbzfldnryq9587, http://www.megaupload.com/?d=0ATS94GR
Not Giving Up On Love - http://www.mediafire.com/?ur9re51rg9ugzs3, http://www.megaupload.com/?d=Q2CIHN17
Get Over You - http://www.mediafire.com/?h421azrr3dczdcr, http://www.megaupload.com/?d=HHNXIR0Q
Thanks to Paul for all the videos

Here are some audience recordings of the same show:
Get Over You/Lady/Groovejet/Sing It Back (Medley) - http://www.youtube.com/watch?feature=player_embedded&v=8n9VTAdvvLE
Heartbreak - http://www.youtube.com/watch?v=k6BPP8ZNbjs&feature=player_embedded
Murder - http://www.youtube.com/watch?v=h3C4Zti3QiU&feature=player_embedded
Revolution - http://www.youtube.com/watch?v=7rcP1aCAoBw&feature=player_embedded

You can also download the audio from the entire show right here:
http://www.mediafire.com/?vrsmqy8jqaw67ys
http://www.megaupload.com/?d=UMQWDSWE

Thanks to Paul for the recording. You've done a fabulous job as usual.


Third. Sophie is in Australia promoting her new album. She had two club-shows - one in Sydney and one in Melbourne. She also had some TV appearances where she performed her new single Starlight and Murder On The Dancefloor.

Murder On The Dancefloor - http://au.tv.yahoo.com/sunrise/video/-/watch/26771578/sophie-ellis-bextor-performs-live/


Starlight - http://au.tv.yahoo.com/the-morning-show/video/-/watch/26773107/sophie-ellis-bextor-makes-a-scene/

Here are some audience recordings of her performances at the club-shows in Australia:

LIVE @ HOME NIGHTCLUB
Take Me Home - http://www.youtube.com/watch?v=S9aO4H-LtWg&feature=player_embedded
Get Over You - http://www.youtube.com/watch?v=QGXdoJaSbfc&feature=player_embedded
Music Gets The Best Of Me - http://www.youtube.com/watch?v=-LvbLW2njZE&feature=player_embedded
Not Giving Up On Love - http://www.youtube.com/watch?v=o7Nn9ki5I_4&feature=player_embedded
Murder On The Dancefloor - http://www.youtube.com/watch?v=OJm5N2VKzoc&feature=player_embedded
Groovejet (If This Ain't Love) - http://www.youtube.com/watch?v=_xQwRueIwYk&feature=player_embedded

LIVE @ GH
Take Me Home - http://www.youtube.com/watch?feature=player_embedded&v=o1M9KL_P2WQ
Get Over You - http://www.youtube.com/watch?v=54xWiUKntok&feature=player_embedded
Yes Sir, I Can Boogie - http://www.youtube.com/watch?v=54xWiUKntok&feature=player_embedded
Not Giving Up On Love - http://www.youtube.com/watch?v=HY1LSyBckKY&feature=player_embedded
Murder On The Dancefloor - http://www.youtube.com/watch?v=xw4vzk0uN90&feature=player_embedded
Groovejet (If This Ain't Love) - http://www.youtube.com/watch?v=cgdBKsYxdEg&feature=player_embedded
Heartbreak (Make Me A Dancer) - http://www.youtube.com/watch?v=I9hwvQNk7Ag&feature=player_embedded


Fourth. Sophie Ellis-Bextor: Scene and heard
ORIGINAL ARTICLE - http://www.news.com.au/entertainment/music/sophie-ellis-bextor-scene-and-heard/story-e6frfn09-1226154480951

IT must be murder juggling motherhood with a career filling dance floors but Sophie Ellis-Bextor makes it seem effortless. Here she tells JACQUI SWIFT about her new record that features Calvin Harris, Roisin Murphy and Metronomy.


Your new album Make a Scene is your career high. Do you agree?
When I finished it, I was so pleased. I'm always wary of reviews as you only ever remember the nasty ones but, without blowing my own trumpet, I can say it's my best album yet because of the people I worked with Calvin Harris, Roisin Murphy, Metronomy, Richard X, Cathy Dennis, Greg Kurstin, I was very spoiled.

Tell us about the big-name producers and co-writers on the record.
I had a wish list and they're all on there. They're all perennial talents who have either been around for ages, or are going from strength to strength. It was great. There will always be a core of six to eight tracks which define what the record is about and then I pick and choose from the rest, which add to the colour of the album.

So what's the process when you have so many different people to work with?
Hopefully, whatever I bring to the table when I'm writing helps give it cohesion. I'm someone who has always been quite clear about what I like. In the studio, I'm not a control freak but I know what I want. It's an arms-in-the-air dance album.

Does it take you back to your Groovejet days?
Yes, a little bit. I think it's all about the rise of the DJ again. When Groovejet came out, people knew a few of the names but then they went back to being a bit more niche and underground. Now you have people like David Guetta and Martin Solveig who are on the radio as well as in the clubs and I think that's a really good thing.

Dial My Number is about a stalker. What's the story behind it?
Someone had my number and they started text-stalking me. I've never replied to them. It was tempting to write back, but I resisted. It's funny how intimate it feels to get a text. I got one on the way to the studio, so we ended up writing that song.

So what's next for you?
I want to make something different, take myself out of my comfort zone, but then I want to do four-to-the-floor as well and I want to work with Deadmau5.

Sophie Ellis-Bextor plays Home the Venue, Darling Harbour, on October 2. Make a Scene (Shock) is out now.


Fifth. Sophie Ellis-Bextor never misses the beat
ORIGINAL ARTICLE - http://www.adelaidenow.com.au/entertainment/confidential/sophie-ellis-bextor-never-misses-the-beat/story-e6fredq3-1226156472856

A MOTHER of two and celebrating album No. 4, Sophie Ellis-Bextor whirled into town last week to reintroduce herself to her dance constituency.
It has been a decade since Ellis-Bextor fired up the charts with the inescapable hit Groovejet (If This Ain't Love), backing that up with Murder On The Dancefloor and last year's single Bittersweet.
Her new record Make A Scene features a who's who of hitmakers including Calvin Harris, Freemasons, Richard X, Armin Van Buuren and Metronomy.
"I have always been rubbish at predicting what will make the charts so I play to my strengths and do what I like," she said before her performance at Home last night.
"If you're making music to dance to, if the song doesn't finish with me standing up out of my seat and dancing around the studio, it's not going to work."
Ellis-Bextor hinted her next album, already underway, will be a departure from clubland to something more "reflective".
Rumour has it she is being courted to return to Sydney next March for Mardi Gras.


Sixth. Sophie Ellis-Bextor: Still killing it on and off the dancefloor
ORIGINAL ARTICLE - http://blogs.abc.net.au/nsw/2011/09/sophie-ellis-bextor-still-killing-it-on-and-off-the-dancefloor.html

Sophie Ellis-Bextor hasn't been to Australia in about nine or ten years, so she has been long overdue for a visit to our shores!

The last time Sophie was here her song "Murder on the Dancefloor" was riding high in the charts and the dance song "Groovejet" that she recorded with the Italian DJ Spiller was pumping out of clubs.

Now she is back with a new album called "Make A Scene" that features collaborations with some of the biggest DJ's in the world at the moment including Calvin Harris and Armin Van Buuren.

So today on the program we wanted to find out what Sophie had been up to in the last nine or so years.

Bernie Hobbs found out all about Sophie's family, running club nights, performing in Jakarta, growing up in the UK, and some the charity work that she has done.

It was a lovely chat and if you are are a fan of Sophie, you'll enjoy hearing the chat again below.

DOWNLOAD LINK: http://blogs.abc.net.au/files/sophie-ellis-bextor-interview.mp3


Seventh. Official Catch-up with Sophie.
ORIGINAL ARTICLE - http://www.sophieellisbextor.net/news?id=375&msg=1#comments

Hi Sophie. How are you?
Not too bad, thanks.

You're speaking from the future.
Haha! I am, it's evening here in Sydney, so it must be morning there?

That is correct. What's going to happen today?
It will be quite cold. And it will rain a little bit.

Not in London, it won't. It's gorgeous here.
Yeah, I heard. But it was actually quite good weather for wandering around Sydney, which is what I've been doing today. It's like spring weather. Nice to walk around in. I've had a lovely day pottering about on my own.

Are you literally out there on your own?
My sound guy, Duncan has here, but I haven't actually seen that much of him. He's been doing his own thing. We got here yesterday morning from Jakarta. And Kat is arriving from the UK any minute now. Then the promo really starts in earnest tomorrow.

Kat, of course, is becoming familiar to the readers of your website as the person who does the photoblogs.
I know! I'm so glad she does that, because I'm so rubbish at taking pictures. I've never really been a good documenter. But she's really good at it.

For those readers who don't know Kat, what does she do?
She works with Derek, who's my manager. She's brilliant. She's his assistant, but she's often the one that comes with me on my trips. She's a very good travel companion. Even though she's only 24, some people say we're like two old women who go off and holiday together. We always make sure we do things during the downtime, like go for a walk or a swim or something.

So, how was Jakarta?
It was actually really impressive. I hadn't been there for ten years. In fact, the last time I went to Jakarta was the same trip I last went to Sydney, around the time Read My Lips came out, when we were away for a month, going all round Australia, New Zealand and South East Asia. So it tied in quite nicely to have these two club shows in Australia and a big festival show in Jakarta before that.

How did it go?
Well, I wasn't really sure what to expect, but I had like 5,000 people in this arena, and they were a really brilliant crowd. It was a very satisfying gig. They really seemed to know and like a lot of my stuff.

That's nice.
It really is. I'm always a bit trepidatious about who'll remember and who'll come, but it's amazing how many do. Jakarta was great and both of the Australian shows have sold out. And on my day out today, I kept bumping into people that recognised me, which was really nice. Sydney is such a friendly city. I bought a dress and the guy was like, "I hope you're looking forward to Sunday, it's going to be really good". It was really sweet.

Do people tend to say the same kind of things when they spot you in the street?

The number one thing is "Do you know you really look like that singer?" I get that more than anything else. I think it's because when I'm on stage I've got the full glam thing done, and I don't do that when I'm walking around. I'm quite low-key. So I think people think I can't be the same person.

Do you ever deny it's you?
Occasionally. But only very rarely. Only if I'm feeling a bit rubbish. But usually it's really nice. Like a guy I met on the street last night was so sweet and excited that I put him on the guest list for Sunday.

So you've only been to Sydney once before?
That's right. And last time I came I spent more time in Melbourne. So today I went out for about four or five hours just wandering around. And my step-cousin Kate is working and living here at the moment, so I met up with her yesterday afternoon. It's a lovely place to hang out. And it's a really easy city to walk around in, which is my favourite kind of city.

Did you go and see all the big sights?
I guess I did, really. I went to the Sydney Opera House. And I went on the train. They have double decker trains, so I obviously went upstairs! And we walked around this area called the Rocks, which is really pretty. And today I went around Surrey Hills and down Crown Street because there's loads of vintage shops around there. Then I walked more into the commercial area for a couple of basic things I needed - so I went to where Westfield is. Although our Westfield in Shepherd's Bush is certainly a lot nicer!

Are the two gigs just club shows then?
Yeah, exactly. The band aren't here, but I'll be doing a good half hour of greatest hits. They're part of two big party nights - I'm on pretty late at both - and it's a holiday weekend here, so there should be a good atmosphere. I'm just going to try and keep people dancing.

Are they a bit like Australian versions of G-A-Y?
I think so, yes. Particularly the one in Sydney, because it's apparently the biggest club in Sydney. They should be fun.

Has the new album been released in Australia?
Yes, it's out this week, and Starlight is at radio now.

It is quite amazing to go to the other side of the world after a decade and find people still listen to your music.
Absolutely. That sort of thing never fails to impress me. Like when I was in Jakarta, even checking into my flight there the woman behind the desk was telling me I was a trending topic on Twitter there. It's crazy. I never get jaded about that sort of thing. I think it's incredible. Actually, I couldn't sleep last night because of jet lag and I was working out how many cities I travelled to in the last two months, and I've performed in 18. Everywhere from Beirut to Istanbul to Moscow to Barcelona. It's amazing.

And it does sort of show how well Polydor did in the early days to get your music out there.
Oh completely. Groovejet was successful, but it was Murder on the Dancefloor that I think made people put a face to the voice, so to speak. That song really changed things, I think. And I'm still realising that now. At the time it was all part of a snowball.

Are you stopping off anywhere on the way back from Australia?

No, only for the plane to refuel. I leave on Monday then land back on Tuesday. Then I've got a couple of shows in Moscow at the end of next week. And then hopefully after that I'm not travelling anywhere for a while! And The Feeling are playing Shepherd's Bush Empire, so I'm going to do my duet with them there. I'm looking forward to that.

Talking of flying to Russia, some of your male fans were no doubt impressed by the Aeroflot outfit you modelled on Twitter recently!
Hahaha! I think it's so cool they gave me a uniform.

How did that happen?
I went on one of their flights and they had these really cool uniforms. Really 60s in this red/orange colour with big white lapels. I think they're very stylish. So I said on Twitter that I loved them and they spotted it and asked if I'd like one. Then they met me in the hotel foyer. And not only did they give me the dress - but the heels, the hat, the gloves and a scarf! So I can use it for a multitude of things. I could perform in it at something like G-A-Y, or wear it for fancy dress. Or just wear it for a night out. And if I wear it when I'm going through an airport, I might be able to go in the fast-track lane! It's funny the things you get excited about, but I'm really chuffed about it.

And where are you at with work on your next album?
I've been doing a bit of work in the studio at home with Richard, but the plan is really to try and gig as much as I can between now and Christmas, and then maybe January, February, March and April are blocked out with songwriting. I don't want to dawdle on this one. I want to knuckle down and get the album done in the spring. Because in the past I've been so bad at letting an album go, but I really like the idea of just really getting on with it. I think that might make me make a slightly different style of record, which I feel like I need to do. I'm really excited about getting into it.

What do you have planned for this evening?
I think Kat and I are going out for supper. But I've got a horribly early start tomorrow. I've got people coming to my room at 5am to start getting me ready for breakfast TV. But if last night's sleep is anything to go by I'll probably be awake then anyway! It was so crappy. I went to bed at like half 11 then woke up 3 and just couldn't get back to sleep.

Oh dear.
I know. I have had a really lovely trip, but I am looking forward to coming home. This has been the longest I've been away from the kids, so that's not been the easiest. That's why I've not been to Australia for a while. Skype has been a life saver. We've been putting it on in the morning before school. But I can't wait to get home and see them for real.


Eighth. A must listen. Stefano Mattara Extended Remix of Starlight. Its definitely better than the other two that we have heard so far.
http://soundcloud.com/mattara/sophie-ellis-bextor-starlight
SOPHIE ELLIS BEXTOR - STARLIGHT [STEFANO MATTARA RMX EXT] by MATTARA


Ninth. Sophie Ellis-Bextor: Live in Sydney, review by Mike from Pop Trash Addicts
ORIGINAL ARTICLE - http://poptrashaddicts.blogspot.com/2011/10/sophie-ellis-bextor-live-in-sydney.html

Read Mike's review on Pop Trash Addicts (link above). It sums up why we're all such ardent fans of Sophie. I'm going to post the pictures from the gig here.
Thanks for the pictures Mike.


Sunday, September 25, 2011

Off & On at the GQ Men Of The Year Awards

Sophie performed her new single, "Off & On" at the GQ Men Of The Year Awards.

Download the performance here
Megaupload - http://www.megaupload.com/?d=LV5REQCM
Mediafire - http://www.mediafire.com/?3ebwvb8n7k58sp0
Recording and uploading - thanks to Paul

Saturday, September 17, 2011

Sophie’s ready for a big gay weekend

For the average Australian music fan, Sophie Ellis-Bextor’s career might as well have begun and ended a decade ago with her multi-hit-spawning debut album Read My Lips.

But, as with many of the best pop stars (see also: Annie, Robyn, Nicola Roberts), Bextor’s music has remained a slightly underground, cult proposition ever since, relished by forward-thinking pop lovers.

She’s currently on album four, the outstanding Make A Scene, and will mark it with her first Australian shows since her brief run as a chart-troubling rival to Britney, Christina et al all those years ago.

“I feel like I have little pockets of fans all over the world, which is brilliant, but I’m quite embarrassed it’s taken me so long to get to places like Australia again,” Ellis-Bextor told the Star Observer during a snatched phone conversation at Gatwick Airport earlier this month.

“Hopefully I’ll deliver a good show by means of an apology.”

She’ll be in the country for a week, leaving her two young children and husband (Richard Jones, bassist for fellow cultish Brit popsters The Feeling) in the UK.

While her shows will be relatively brief — 40-minute sets for queer crowds at Sydney’s Homesexual and Melbourne’s GH — she said fans could expect to hear much-loved tracks like Heartbreak (Make Me A Dancer) and, of course, Murder on the Dancefloor.

“I’m doing club shows because I haven’t got my band with me, but don’t worry, it’ll be a real party set, with all the greatest hits,” she said.

As well as the more pop-driven highlights of her first three albums, Ellis-Bextor will showcase the eclectic dancefloor sounds of Make A Scene — an album littered with big-name DJ collaborations.

The album finally saw the light of day in April after an agonising four-year wait for fans who waited patiently as release dates came and went. But Ellis-Bextor, glamorously aloof as ever, wasn’t about to apologise for the delays.

“It wasn’t frustrating for me. It’d been four years since the last record, and in that time I’d toured that album, then had a baby, then taken my time to work on Make A Scene.”

“I’m often the reason things take a long time, because I really enjoy the process of writing and recording. You’ve got to spend a long time with those songs once they’re out there, so I don’t rush them. I’m not really in any hurry.”

It’s this attitude that perhaps best explains why she’s very much a cult pop star — and happy to stay that way.

“Sometimes I think it’s a case of ‘careful what you wish for’, because the way things are at the moment, I work a lot, I travel the world, but I also manage to have a family life and raise my kids. I don’t want to wish for anything that would upset the balance of what makes me happy. So I’ll settle for cult — that sounds good to me.”

Aside from the expected commercial dance collaborations with Calvin Harris and handbag house mavens the Freemasons, Make A Scene (which will be released locally via Shock Records to coincide with her visit) sees Ellis-Bextor team up with indie dance hipsters Metronomy and folk gloomster Ed Harcourt.

It’s this refusal to be pigeonholed that’s defined her career thus far — after all, who would’ve predicted the frontwoman for arch Britpop also-rans theaudience would’ve emerged from their 1999 split to voice the biggest house song of 2000, Spiller’s Groovejet (If This Ain’t Love)?

“I’m still intrigued by the whole dance scene — Deadmau5, Chase & Status — or I could do something a bit more alternative. I haven’t got a clear idea of who I want to work with next, but I love working with unexpected people,” she mused.

“Dance music is such a big part of what I do, and I love it. If I could, I’d do two projects simultaneously — something dance, then something different. I am particularly interested in the ‘something different’, because I feel like I need to challenge myself a little bit.”

Testing her musical boundaries has always been important for Ellis-Bextor, who once memorably said “there’s nothing more unsexy than a jaded pop star”. More than a decade into the occupation, does she still have the passion to continue?

“Probably now more than ever, really. The longer it keeps going, the more I realise I’m one of the lucky ones, doing what I do. I’ve never had to get a proper job — brilliant!”

INFO: Sophie Ellis-Bextor plays Melbourne’s GH Hotel on October 1 (sold out) and Sydney’s Homesexual White on October 2. Tickets via www.inthedark.com.au

Synchronised (Pre-Finished demo)

Reember that Cut Straight To The Heart demo?
http://soundcloud.com/140dbmanagement/sophie-ellis-bextor-cut

Well, here's the pre-finished demo version of Synchronised
http://soundcloud.com/fredballmusic/synchronised/s-nYF50

Monday, August 1, 2011

A few updates

First of all, I'm sorry for the lack of updates. I've been working 13 hours a day because we have audit season going on right now, and I'm really busy. Anyway, lots of things are happening in Sophie world. Here's the news, for those who don't know it already.

1. OFF AND ON WILL BE THE NEXT SINGLE

As bizarre as it sounds, Off And On will be the sixth overall single from this campaign. I'm really pleased that the song is finally being released as a single. Sophie mentioned in the past that she did want to release this song...methinks she had to release those other collaboration-singles just so she could buy some time to setup her own label and get things back on track. It is tragic that Starlight didn't get a good charting, but the song was given A LOT of airplay. I had posted the stats a few weeks ago.

Will we get a video, along with a physical release? We're not sure of any details right now. The Calvin Harris tag could help the song chart well, but we're not sure if this is going to be a solo release or a collaborative one. I wouldn't mind it either way really, as long as we get a b-side, preferably "Calling It Love" (that other song she did with Calvin) or one of the Kish Mauve tracks.

Sophie performed the new single on Tonight's The Night. Her performance was flawless. I never thought she could reach those high notes, but she sang so well. Well done Miss E-B. You always give me so many reasons to love you even more.

You can download the performance right here -
(thanks to Paul for the recording, and Renzo for the link)


Sophie also performed a duet-cover of Dream A Little Dream Of Me with Bobbie Watt on Tonight's The Night.
You can download the duet right here - http://www.filesonic.in/file/1572125664/seb.oao.ttn.073011.rar
(thanks to Paul for the recording, and Renzo for the link)




2. MAKE A SCENE WENT GOLD IN RUSSIA


Make a scene was recently certified Gold in Russia, after peaking at #12 in the albums charts. This is Sophie's second album to go Gold in Russia. Its good to see Sophie getting a lot of attention from Russia. I sincerely hope her Russian fans support her when she changes her direction - from dance-pop to stripped live sounding songs.



Here's hoping that the album is certified Gold eventually in the UK as well.


3. REBELLION (LIES) WILL BE AVAILABLE FOR DOWNLOAD IN OCTOBER

Rebellion, the Arcade Fire song, that Sophie covered during her tour, will be available for download from the 3rd of October. You can listen to a 1 minute snippet of the song here.
http://www.facebook.com/video/video.php?v=10150741674760650&oid=140234786046296&comments


4. THE FEELING HAVE CANCELLED THE NEW SINGLE IN FAVOUR OF ANOTHER SONG

I'm not sure why they decided to release another song instead of Leave Me Out Of It, especially after all those performances. Leave Me Out Of It is absolutely gorgeous, and they should release the song as a single sometime.


5. SOPHIE WAS ON RADIO KENT RECENTLY.

Here's the interview.
Thanks to Paul for the recording and Renzo for the upload.


6. PERFORMANCES AT EUROPA PLUS 2011

She performed 5 songs - Bittersweet, Can't Fight This Feeling, Murder On The Dancefloor, Groovejet (If This Ain't Love) and Heartbreak Make Me A Dancer







Tuesday, July 19, 2011

Official Catch-up, July 2011 - Part One

ORIGINAL POST: http://www.sophieellisbextor.net/news?id=355

Hi Sophie, how are you?
Not too bad. But a bit rough. I've got tonsillitis.

Oh no!
Yeah. Which is pretty crappy. So it hurts when I swallow and I'm a bit fevery and achey. But I'm on penicillin and I should be better soon.

This is not good news.
No, it's a bit of a pain.

Tonsillitis tends to come when one's tired, right?
Yeah, well it has been quite full-on and relentless over the last few weeks. Doing lots of really nice things, but a bit non-stop. I think maybe I overdid it a little. At the weekend I did Kings Lynn on the Friday, then supported Bryan Ferry at Kew on the Saturday and got straight in the car after that because I'd been booked to sing at someone's birthday. So I got home at like 4am on Sunday morning. That probably didn't do me any favours! But never mind.

It sounds like your body is perhaps trying to tell you something.
That's what my mum said! But it can be hard to totally take time off when you have two children!

Do you have much coming up?
Well, I go on holiday at the beginning of August, but the diary is still looking pretty busy. It'll be nice to have a little break, though.

And it sounds like you've been having fun.
Yeah, I've been busy, but doing some lovely stuff. Richard and I did some DJing last week at the Chiswick House festival, which was fun. We got to watch Tinie Tempah and Noah & The Whale and bands like that.

Is that the event famed for its amazing food?
Exactly. I didn't do too badly, but I think Richard had at least two lobsters!

You also sang with The Feeling last week at Kew.
Yeah, that was really nice. I thought their gig was brilliant. And I really enjoyed my gig there on the Saturday night too. It's really beautiful, and we were lucky with the weather for both shows.

And the song you performed with The Feeling, Leave Me Out Of It, is their new single.
That's right.



You've already done a couple of TV things with them for that. Will you be doing more?
I think so, yes. I'll do whatever they need me to do. There's been talk of doing a video for it, too. We're going to Abbey Road this week actually, to film an acoustic performance of Leave Me Out Of It.

Is it strange working with your husband?
Well, that's how we met, so it's not completely bizarre. But I suppose I find it hard to stay focused. I feel a bit mischievous - like it's work but not really work.

And it's a great song too.
I think so. I really like it. It's all atmospheric and dramatic. And it tugs your heart strings a little bit.

And were you pleased with the response to Make A Scene?
I was really happy. I think it was quite a big achievement to get an album on my own label into the Top 40. I think the people who worked on it were all great, I love my new PR team and my new TV people. It was all quite exciting - and more so because it was all our own venture. You can really see the fruits of your labour much more easily without the smoke and mirrors of a big label.

What else have you been up to?
Well, I haven't been abroad for about six weeks now, which is quite unusual for me. There was lots of it in May, but since then I've mainly been here, doing things like the Erasure dates.

Ah yes, how was that tour?
It was a really sweet thing to be part of - but it's a shame the weather wasn't better. The crowds were amazing, though. They were just so resilient and determined to have a good time, even when they're standing there in their ponchos in the pouring rain. The weather's actually been better for the ones I've done recently. Cornbury was really nice and Kings Lynn was great too. It does make a difference.

Ellis-Bextor talks about her family

ORIGINAL POST: http://www.guardian.co.uk/lifeandstyle/2011/jul/16/sophie-ellis-bextor-family-values

The fact that my mother [Blue Peter presenter Janet Ellis] was on television every week while I was young was occasionally awkward, and often frustrating. My school friends were quite wowed by it, and it had a pretty potent currency, I suppose, because they watched it, and her, every week. But certain people would accuse me of saying things, or acting in a particular way, simply because she was on TV. It made me feel quite impotent.

By the time I was a teenager, my mother was no longer on Blue Peter. Teenagers tend to live very much in the day, and so I was hardly ever reminded of it, fortunately. The subject only came up again when I started dating boys. They would tell me how they used to fancy my mum back then, or, worse, still fancy her today. It's not really something a daughter wants to hear about her mother.

My parents separated when I was four. It wasn't the smoothest of divorces, but then as my mother always says, you can't have a passionate marriage without a passionate divorce. But it's to their credit that it never affected me too badly, because whatever they were going through themselves, it didn't affect their parenting of me.
I was an only child, but then my parents resettled with different partners, and I am now one of six. We are all very different, but I love having such a big family. We don't do too many collective gatherings – I'll very often celebrate Christmas twice, with both sets of families – but it is nice when a whole bunch of us gets together. Last Christmas, there were 18 of us round the table. And, no, it wasn't a disaster.

My mother had three children, but she wanted a fourth. It never happened, though: she had 10 miscarriages. She kept them from me at the time, because she thought I was too young. We sat down and talked about it much later, and I felt so very sorry for her. It was all so breathtakingly sad.

Towards the end of my first pregnancy with my son Sonny [now seven], I developed pre-eclampsia, that really glamorous condition where you get puffy ankles and a puffy face. It's not much fun. He was born two months prematurely, and was absolutely tiny. We spent a lot of time in hospital.

Sonny had meningitis at four months old. I remember that morning vividly. I woke up at 6am on a Saturday, aware that he was late for his feed. I went to him, and he was the hottest thing ever, his feet blocks of ice. I didn't have a clue what to do. We rushed him to the hospital, they pumped him full of Calpol, and then took him off for a lumbar puncture, which I wasn't allowed to attend. It was my very worst experience as a mother.

My second son, Kit [now two], was also very premature, so we had to get used to even more time in hospitals. It's very sobering.

Two premature babies was not a genetic thing; we were just unlucky. Hopefully we won't be next time, and we definitely want more children. How many? Well, if another pregnancy ends prematurely, then maybe we'll have to draw a line under it, but we always did like the idea, perhaps, of four. But don't get me started on that just now. Let me get through the next one first, and then we'll see.

Sophie Ellis-Bextor's new album, Make a Scene, is out now

Sunday, June 26, 2011

Sophie in Mail Online

ORIGINAL ARTICLE: http://www.dailymail.co.uk/home/moslive/article-2007416/Bill-Gatess-dancing-The-world-according-Sophie-Ellis-Bextor.html

'I did a disco for Bill Gates. His dance style is surreal': The world according to Sophie Ellis-Bextor

The singer on the Microsoft billionaire's skills on the dancefloor and travelling the world - but sometimes just for six minutes

Sophie Ellis-Bextor’s solo career is now entering its second decade, after she first emerged as a chart-topping singer in the Noughties. Since then she has gone from pop star to 32-year-old mother of two with a rock-star husband. But it hasn’t always been an easy ride.

‘I tasted huge success with my first album, and when it’s happening it feels like a roller coaster you can’t get off,’ she says. ‘You should be very careful about wishing for success on that scale.’

The daughter of Blue Peter presenter Janet Ellis, she started out with indie band Theaudience in the late Nineties aged 18, before hitting the big time with the single Groovejet (If This Ain’t Love), a collaboration with Italian DJ Spiller. It was released in 2000 and became a huge summer anthem.

Her debut album Read My Lips followed a year later, and sold two million copies worldwide. In addition to singing, Ellis-Bextor is also a model and DJs regularly with husband Richard Jones, bassist with The Feeling.

The couple live in London and have two sons, Sonny, seven, and Kit, two.


The iPod wouldn’t have existed without me.
I’ve heard from reliable Apple sources that my first single with Spiller was used to demo the iPod. It’s quite cool imagining Steve Jobs listening to it and thinking, ‘This white box will work – it sounds great!’ No one’s ever recognised my contribution to it in any way over at Apple. In fact, it’s only ever cost me money, because the whole house is full of Apple gear as a result. A musician can’t live without it now.

Bill Gates’s dance style is very surreal.
I have a nice sideline with my husband, as we DJ as Mr and Mrs Jones. It was a bit of fun that blossomed into a business. We get asked to do some very flash gigs, too. Perhaps the best we’ve ever done was a private gig at a mansion in Antibes for a Russian oligarch. It was hugely lavish affair that included Bill Gates on the guest list. His dancing is unique. He does a kind of clap to the front and a clap to the back, and a shuffle. We were taking golf-buggy rides in the grounds later on when we crashed one into the manicured flower beds. About six plain-clothes security men appeared from nowhere. We thought we were going to be thrown out, but they just took the buggy away and brought us another one.

The Royal Wedding made me very proud to be British.
I hired a pub in east London with the boys from The Feeling. We made a real effort. We all had to wear wedding gear – nice dresses, big hats, buttonholes – and the music was classic wedding cover tunes. I wouldn’t say I’m a staunch royalist, but to turn my nose up at the big day would have been ridiculous. In fact, as a toddler I was at a street party for Charles and Diana’s. There’s a picture of me holding a balloon and a little Union Jack in our street. I think that a bit of pomp and circumstance is no bad thing, and who doesn’t like a good wedding?

I’m big in Russia, but no one’s quite sure why.
The theory I keep hearing is that apparently I look rather Russian. Whatever the reason, I love going there. Richard and I took an overnight train last year from Moscow to St Petersburg, which felt really exotic and romantic in a very old-fashioned way. We spent most of the journey getting drunk in the dining car on vodka and looking out of the window. Later on, I fell out of the top bunk as I was trying to get into bed and gave myself a huge bruise on my leg.

My work takes me all over the world – but sometimes just for six minutes.
I did one gig in Beirut that involved a six-hour flight. I had a shower at the hotel, changed, spent six minutes on stage, turned round and came back. It was a blur. I did another in Vladivostok that involved a 15-hour flight. I jumped on stage for a couple of numbers, turned around and came back. There was another in Azerbaijan when I had no one to go with, two tickets and a hotel room, so I took my eldest son. He went into school on the Monday and they asked, ‘What did you do at the weekend?’ He said, ‘I went to Baku for the day.’

The X Factor is great entertainment, but it doesn’t prepare people for getting chewed up and spat out by the music industry.
If you’ve come out of the other side of that machine and been dropped, it can feel like a very lonely place. The contestants have no experience of it, whereas most regular musicians start with nothing and plug away for a long time on lots of projects that don’t go anywhere, so they’re prepared for the knocks.

My addiction to eBay scares me.
I used to trawl round charity shops and vintage stores, but eBay changed all that. I’m an addict. I’ll sit there with a glass of wine and my laptop while the TV’s on in the evening and surf away. The possibilities are endless. There’s always something that catches your eye.

I have a one-armed bandit and a pinball machine in my kitchen.
I use them when I’m waiting for pans to boil – they give me genuine pleasure to look at each day. Our house is full of retro stuff. I collect a lot of vintage bric-a-brac from the Fifties and Sixties; jigsaw puzzles of the Royal Family, holiday-camp postcards, that sort of thing. The house could pass for a film set. My husband and I are big kids really, but you have to ask yourself if your obsession is going too far when your seven-year-old is given a nice toy for his birthday and says, ‘Is it OK to open it, Mum, or shall we keep it for display?’

The NHS saved my son’s life.
When Sonny was four months old he contracted meningitis. It was incredibly worrying and so dangerous for him. It was horrible, but the doctors spotted it straight away and the transformation when he was treated was incredible. The NHS is a bit iffy when you sprain an ankle, but when it’s a high-priority issue, it’s fantastic. They don’t mess about. They’re incredibly efficient when things go wrong. I feel really distressed that it might not always be there.

Everyone deserves a second chance.
I toured with Take That and ended up doing over 35 dates with them – they’d come and watch me soundcheck and we’d chat all the time. You could see how much they appreciated a second chance. They put on a fantastic show with lasers, set changes and dancers.

I’m known for being glamorous, but I don’t go to parents’ evening in a ball gown.

I love the idea of a bit of glamour, but I’m not obsessed with my image. You should make an effort on stage because it’s a performance. The stage should be glittery and camp, but I don’t go down the shops in full stage gear.

The album ‘Make A Scene’ is out now.

Wednesday, June 22, 2011

Bits from here and there.

Sophie's album peaked at #33 in the midweeks on the charts. That is higher than what a lot of her fans were expecting from this album, especially after a series of failed singles. Nonetheless, the album is amazing, and will be this year's BEST ALBUM, and possibly Sophie's best album yet.

The album peaked at #8 on the UK Indie Albums chart. The album and the new single Starlight are available for download on iTunes.

Sophie recently recorded a song with Bob Sinclar. Remember World Hold On? Its crazy how this entire era has been so full of dance music. The fifth album will be a breath of fresh air. Anyway, here's hoping that the Bob Sinclar collaboration has more success than the rest of her singles.

Sophie signed up as a guest judge on the new series of Britain & Ireland's Next Top Model. The pop star is joining host and executive producer Elle Macpherson, who said "We had Sophie Ellis-Bextor and she was really interesting, because she is successful and unusual. She is not a stereotypical beauty. She gave great feedback."

Sophie revealed to DigitalSpy that she is filming a cameo for Ricky Gervais and Stephen Merchant's new comedy series Life's Too Short. Writing on Twitter, singer Ellis-Bextor said: "Filming today w Warwick Davis, Ricky Gervais, Stephen Merchant & Sting for series 'life's too short'. cameo for me, playing myself. Testing. (sic)."

PurplePR are doing a fabulous job with Sophie.

ORIGINAL ARTICLE: NEXT TOP MODEL - http://entertainment.stv.tv/tv/259354-sophie-ellis-bextor-joins-up-to-britain-irelands-next-top-model/

ORIGINAL ARTICLE: LIFE'S TOO SHORT - http://www.digitalspy.co.uk/tv/news/a326008/sophie-ellis-bextor-confirms-lifes-too-short-cameo.html

Wednesday, June 15, 2011

Make a scene: Review


MAKE A SCENE (2011, EBGB RECORDS)


Three albums, four years of recording and delays, and five singles later, Sophie Ellis-Bextor has returned with one of the most anticipated albums of the year - "Make a scene"; collaborating with the cream of pop-dance producers including voted #1 DJ of the world Armin Van Buuren, chart toppers Calvin Harris and Freemasons, that incredibly talented Joe Mount of Metronomy and God himself - Richard X. Of course, there are a few regulars here - Greg Kurstin, Liam Howe of Sneaker Pimps and Dimitri Tikovoi; and a surprise collaboration with Fred Ball... So does this make the album a generic and manufactured one - NO!

The album opens with a bang (literally - "bang, bang, it’s a hold up"). Revolution, the album opener, has Sophie attempting a monotone delivery for the second time in her career (check the middle-8 from "Making Music", Shoot from the Hip). The chorus is simple, repetitive and arresting; the "army" hook is catchy. Cathy Dennis, who worked with Sophie on her last top 10 hit Catch You (which was also a Denis/Kurstin collaboration), co-wrote the song - and in fact, came up with the self-referencing line in the song (the line in the bridge - "face to face its murder on the dancefloor"). Revolution is highly energetic and frenetic, but is very short. It feels like the song is in a hurry to be done and introduce what seems to be Sophie's best album yet. (9/10)

All those cymbal crashes in Revolution lead to this big crash in the very beginning of track two. Bittersweet is a song produced by Freemasons and Biffco. The song was Sophie's second single off the album, but failed to set the charts on fire. Nonetheless, it received an overwhelmingly good response from her fan-base and went on to become the Song of the Day on PopJustice. It even kept Sophie on top of the PJ Almighty for what seemed like an eternity. Bittersweet is enthralling - with flawless production sampling bits from "Fade to Grey" by Visage and "Blue Monday" by New Order; the song even draws influences from "You Spin Me Around (Like a Record)" by Dead or Alive. Sophie effortlessly mews over the production. The meandering melody in the chorus, the cut-up vocals in the middle-8, the whispering bits and that incredible close to the chorus (the heavenly "oh-oh-oh-so here I am" bit) - all these make Bittersweet the ultimate pop/dance song that most solo female acts would kill for. To sum up, the song is a modern classic. (10/10)

Off And On, the planned-to be-sixth single off the album, is the first of the two songs with no lyrical contribution by La Bex. Originally written and demo-ed for Roisin Murphy's 2007 album, 'Overpowered', the song was handed over to Sophie to promote the then-planned Greatest Hits compilation. Fortunately, recording sessions proved fruitful and now we have the 4th album instead. Off And On is a commercial electro-pop number, which has been edited since its original premiere on Sophie's MySpace several years ago. Could this be the first top ten single from the album - I sincerely hope so, but only commercial radio can give this song the exposure it deserves. (9/10)

Heartbreak (Make Me A Dancer) was also made to promote the GH compilation. The original demo is significantly different from the final mix that was released as a mutual single by Freemasons and Sophie back in 2009. The song charted just outside the top 10, but stands as the highest charted single from the album (in the UK) and has become one of her most popular songs since Murder on the Dancefloor. Described as electro-dance monster, the song will have you moving along to the loud synths and the big beats. This song, along with Bittersweet, proves that the Bex Monster and Freemasons are a match made in pop heaven. The Freemasons have always had brilliant and glittery production on their songs; their two songs on this album are no different. Their production brings out the emotion and drama in Sophie's voice - something that is absent in your regular commercial dance songs (yes Guetta, I'm talking about you) (9.5/10)

Not Giving Up On Love, the fourth single off the album, is a trance song, with a simple piano loop, great synths, some live drums thrown in here and there and, of course, Sophie's ever-so lush vocals. Miss E.B. is no stranger to melancholic melodies - what some fans consider her forte. The song is a collaboration with Armin Van Buuren, who is the voted #1 DJ of the world. The song was a big success in several countries across Europe but had no impact on the UK Charts. Vocal trance is a new field for Sophie, and I look forward to more trance DJ-collaborations in the future. The full length club edit is so much better than the hurriedly edited radio version, but you simply cannot have a 6+ minute trance track in the middle a pop album - still, it is worth listening to. (10/10)

The next song, Can't Fight This Feeling, is a collaboration with upcoming French DJ Junior Caldera. This is his biggest success across Europe, and in fact the song got a lot of attention from Sophie's fanbase in Russia and some other countries across Europe. On my first listen, both track 5 and 6 stuck out like a sore thumb. The song isn't bad at all. It is very commercial sounding, very 2009-10. Its weird because her songs almost never sound 'current'. Its very hit or miss really. I liked the song a lot when it was released as a single before Bittersweet, but the shine has worn off now. Sophie has recently written another track with Junior Caldera. Lets hope that song sees the light of the day in some form. (7/10)

If I have to sum up the next song in one word, I would only say "heavenly". Starlight, produced by Richard X *screams* is straight out of the 80's. Starlight is released as the 5th (overall) single from the album, the 4th in the UK. You can watch the video, directed by her father, Robin Bextor, right here - http://www.youtube.com/watch?v=DDlkxDu06OU
The song has a melancholic feeling, and is slightly ethereal and lush. This is definitely one of the best songs on the album. I'd love for Sophie to work with Richard X *screams* again. Starlight is positioned in the perfect place - and feels refreshing to listen to after 6 dance songs that play back-to-back! You don't know what heaven feels like until you have heard this song. Everything from the slick production and the poetic lyrics to the lush vocals are perfect. One thing that will really grab your attention is the almost-Madonna-esque middle-8; "We are one". (10/10)

Sophie performed Under Your Touch last year on the Album Charts Show and I was really looking forward to listening to the studio version of the song. It is produced by long time collaborator Liam Howe of the Sneaker pimps. The song begins with eeire strings, which brings to mind Madonna's "Sorry". The song has a very busy production, with loads of sounds building up as the song progresses. Sophie sounds fantastic. The mechanised vocals in the song were a nice surprise. It might sound slightly filler-ish on the first listen, but after a couple of listens, the song grows on you, and you tend to put this into a long list of songs that should be singles. (8.5/10)

The title track, Make A Scene, is unlike anything that she has ever done before. The song begins with some clunky notes and a strange beat, and soon builds into this really bouncy jam. The chorus is phenomenal and has Sophie screaming "come on now" as she makes a scene. The almost spoken verses, the saxophone, the really weird drum sequence that sounds a little off-track in the first few seconds, Sophie screaming in some places - in theory this will seem like one of the worst ideas ever. But it all comes together so well - everything feels so disjoint, but at the same time, its all very 'together'. One must give sufficient credit to Joseph Mount, of Metronomy, who helped co-write and co-produce this song. You can definitely hear some 'Nights Out' influences in this song. You might even say that this song sounds like something off Roisin Murphy's 'Ruby Blue' album, crossed with production by Basement Jaxx (now that is a collaboration that should happen!). I'd love to see more Sophie-Metronomy songs in the future.(10/10)

Magic is the second of the two Richard X *screams* songs on the album. The song is, as the title suggests, magical. It begins with simple "ooh ooh"s and builds up into this 80's influenced, scratch that, 80's epic. A simple-but-massive chorus takes centre stage; the production really brings out the best in Sophie's voice. I'm a sucker for anything Richard X *screams*, but this has to be one of his best productions. Lyrically, the song is very poetic, much like Starlight. The middle-8 contains whispers again. Sophie brought whispers back in fashion - I'm not even sure if whispers went out of fashion, but I'd love to give Sophie credit for putting whispers on two (thats right, TWO) songs on the album. Well done Sophie. Well done Hannah. Richard X *screams*, I salute you! (10/10)

The next song is a historic moment in pop music (or so I think, don't burst my bubble). Sophie is probably the only popstar in the world to have used the word "politicise" in a song. And as a fan from PopJustice once said, she is also, probably, the only popstar in the world to have written an electro-pop number about a text stalker. Now THIS is your quirky pop song. The almost story-like lyrics describe Sophie's attitude toward her text stalker. One line in particular - "when you're lost at sea, I'm on land" - is like a slap-in-the-face-get-a-life type of situation. I love the general bitchy-ness about the song. Dial My Number is produced by Liam Howe and co-written with Hannah Robinson. The song, like the other Howe production, is very busy sounding, and quite loud. This was probably the most anticipated song on the album - and it could end up becoming a fan-favourite. (9/10)

Homewrecker is such an amazing-title for a pop song. You'd expect swearing and cursing on this song - but surprisingly, there's no swearing or cursing... or is there? The lyrics of the song are intentionally blunt, but also very witty. The “ho..ho..homewrecker” bit caught everyone by surprise. Its right there, she’s actually swearing, but its so wonderfully hidden beneath the apparent hook. Only Sophie Ellis-Bextor could swear and still sound so posh, take notes Ke$ha. The song is produced by Greg Kurstin, and has some similar production gimmics. The organ in the beginning of the song make this song seem almost-demented in some ways. Well done, Sophie, well done! (8.5/10)

Now is that point in the album when you're pretty much done with dancing and jumping around, and you just want to sit down and listen to some good pop music. And Sophie knows that. Synchronised, is the first of the two ballads on the album; the second song with no lyrical contribution by Sophie, and is truly immense. The song sounds very commercial - kinda like "If You Go"'s moody little sister. The song focuses on Sophie's vocal power, and that is, essentially, what makes this song a masterpiece. Sophie's vocals have never sounded this good and emotive. Here is solid proof against all those people who claim that Sophie cannot breathe life and emotion into a song - IN YOUR FACE, HATERS! (10/10)

Cut Straight To The Heart is the perfect close to a perfect album. The song features lyrical contribution by the infamous Ed Harcourt. Sophie sounds very vulnerable, and the general feeling and production of the song can be compared to one of her older songs from her second album - "I Am Not Good At Not Getting What I Want". The track has beautiful instrumentation, and also samples the drum sequence from Placebo's cover of "Running Up That Hill (A Deal With God)", which is also, not so surprisingly, produced by Dimitri. The song might be slightly over-shadowed by the amazing-ness of its predecessor, but is no less brilliant. Sophie finishes the album in style. (10/10)

If you haven't heard this album yet, you haven't really heard what good pop music sounds like. Sophie has once again proved that she truly deserves the title "Pop Goddess". Well done.

ALBUM HIGHLIGHTS:
Bittersweet
Not Giving Up On Love
Starlight
Make A Scene
Magic
Synchronised
Cut Straight To The Heart

OVERALL RATING: 9.3/10. Plus, additional 0.7 for the brilliant artwork and photographs in the album, all the effort that has gone behind getting it finally out there. A solid 10/10 effort overall!


...yes, this is exactly how I feel about the release. Its finally here, and it is flawless. Make sure you legally purchase a copy (or two) of Make a scene.

Link to online sites where you can buy the album:
iTunes UK
Amazon
7Digital

Buy the CD from here:
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